Back from Vegas

I am back from the PSWA conference in Las Vegas and came home to New Orleans to hear the oil spill had been capped, the cap was knocked off by a robot, and they were trying to get it recapped last I watched the news. That's what I get for putting on the news instead of the soaps.

My weather man doesn't love me anymore- he says there is a "system" that will probably be a named storm soon. Early in the year to be watching for hurricanes. The Princeton model, which is supposed to be somewhat accurate, had it developing into a hurricane and hitting New Orleans. Not the time, I tell you.

But back to Vegas. I actually learned a few things that I wrote down this time that I think will help my writing. Small things about pacing to build suspense, voice, and putting characters in the most uncomfortable and difficult places or situations possible. The info came at a great time, as I'm trying to get Jambalaya Justice finished to send it off to my publisher. I actually rewrote the beginning in Vegas, after being inspired by one of the speakers.

Speaking of inspiration, thriller/horror writer Simon Wood was the keynote speaker and spoke about writing a thriller. While Gumbo Justice falls more into mystery, I incorporate a lot of thriller elements to build up suspense, and his talk was quite helpful. Of course, with his British accent I could listen to him recite the dictionary or the phone book and be enthralled, so maybe I'm not the best judge. He was quite charming and approachable, not to mention funny.

That's one thing I have to say about the PSWA conference--nearly everyone has a great sense of humor, and nobody gets bent out of shape if you poke a little fun at their expense. For the most part, the writers who show up are from every level, from the unpublished to those with tens of books, but it's a small enough function with a single track so everyone gets to know everyone else somewhat, and for the most part, everyone checks their egos at the door.

The hotel was also nice, off the Vegas strip but just barely. We could see the strip from our window. More than the hotel, the food at the conference was top notch. Living in New Orleans I hardly ever find food elsewhere that satisfies me emotionally, and I have to say this was one of the first times away from home that I was able to find food I actually consider good.

All in all, the conference and Vegas were quite a treat. Now I just have to worry about what may be coming to New Orleans in the next few months weather-wise and oil-wise. If it gets bad, maybe I can go back to Vegas.

We have so much going on in New Orleans right now I am trying to figure out what to write about.

First and foremost, we have just started hurricane season June 1, and already they are watching something that has a 60 percent chance of becoming a storm in the next 2 days. This doesn't worry me so much in and of itself, because historically there is little chance of a big one hitting us this early in the season. The gulf isn't warm enough and the conditions would never be appropriate.

It does cause me pause, however, because early storms could mean a bad season, which has already been predicted. It also causes me concern because we're not sure of what effect even a small storm could have on the oil situation. How much destruction will oil being pushed into other waterways or entering the tidal surge have on our coast, our farming, our houses?

Second, five police officers, three current and two former, have just been indicted in a Katrina case where the police are accused of gunning down a man, then putting his body in a car and setting it on fire.

The story is bad; what is worse is that I know two of the current officers, and consider one a friend. In fact, he is married to a former co-worker of mine. They met at the D.A.'s Office, while she and I were both assistant district attorneys and he was an officer. He and the other officer I know are both lieutenants, and I find it extremely difficult to believe my friend would violate the law.

Not just because he's my friend and I support him, but because he is a square, a rule follower, a by the book player. He arrested my brother in law years ago for being in possession of marijuana, and I knew better than to even ask him for any kind of a break on my B-I-L's behalf, because this guy is an i-dotter and t-crosser.

I feel more bad for his wife, my co-worker and friend. She actually went to middle school with my husband, years before I knew either one of them, just to show you how small a city of a half a million people can actually be.

So I'm torn between wanting to see justice served if somehow this friend did do something he wasn't supposed to, and not believing he did it, or if he did have some part in it, there had to be a good reason.

Then the writer in me keeps thinking this needs to be made into a book or a movie, or at least included in one of my Crescent City Mystery Series novels. I am working on Jambalaya and it is all laid out so this particular scenario wouldn't fit in, but the third novel takes place during Katrina, and something of this nature was going to be included, so I could just add this in.

Then again, the entire story would make a compelling movie. I can picture it starting with the trial, and hearing each individual person's testimony, and then flashing back to what actually happened until you get the true story. Except right now I don't know the whole story. I may at some point in the future, when the legal issues have been resolved, visit my friend and see if he is interested in opening up and telling me his version of events.

Finally, I am looking forward to the PSWA writer's conference in Vegas this month, seeing familiar faces and making new friends.

Helping Children Write

I frequently volunteer at my girls' school and know most of the teachers. In fact, the principal was my fifth grade English teacher, way back in the 70's. So when one of the teachers who I also consider a friend asked me to come speak to her enrichment cluster, I immediately agreed.

Enrichment clusters in the Jefferson Parish Public magnet school system are the equivalent of electives. This particular elective was for the purpose of writing the school newsletter, and included students in third through fifth grade.

I spoke briefly about the things involved in getting published- writing the book, finding an agent or publisher, and then promotion. I explained that writers do not generally get rich, and unless they were one of the few who make it big, they would probably need to keep a day job. I told them the three most important things they could do to was to read as much as possible, write as much as they could, every day if they were able, and to continue to educate themselves, even after they graduate college. I told them I take online courses and buy reference books all the time to hone my craft.

One fifth grader, who happens to be best friends with my daughter, asked the winning question- how do you get your books into book stores to sell and who gets to decide that.

At the end of the class, I received a treat from the teacher. Ms. Bourgeois put the Jefferson Parish Public Library website up on her high-tech Promethean Board and showed me all of the local libraries my book was in, including the regional library where it is in the Popular Section and can not be reserved or renewed. The website also showed me all the libraries the book was checked out of, the ones that the book was in transit to another local library, and the libraries where my book was on the shelf. I had no idea my book was even in the library, so I think we all learned something that day.

Next year, I am trying to assistant teach an enrichment cluster where the kids can work on a book, do some fundraising, and then self publish it through one of the self-publishing companies. I think if I had seen my name in print when I was 8 instead of when I was 40ish, (enough information here), my whole life might have been different.

When is a Mystery a Thriller?

I've recently run across two instances of individuals saying a particular novel wasn't a thriller, but was a mystery. While I realize not all mysteries would fall into the category of thriller, I am wondering what constitutes a mystery that is also a thriller.

The first time I came across this, it was from a reviewer who stated my novel wasn't a thriller, and that most people not as well read as he claimed to be would not know the difference. I tended to categorize the book as a mystery/thriller, just to differentiate it from a whodunnit, a cozy, or any other number of sub-genres I don't think it fits into.

When I think thriller, I think of chases, scenes that are full of suspense, maybe an explosion or shooting or two. Well, first I think of Michael Jackson's zombie video, then I think of these other things. But now I'm thinking there may be an entirely different definition of thriller of which I am unaware, being not as well-read as the person who reviewed my book and all.

So I went to one of my favorite sites, dictionary.com, to see what a dictionary definition of thriller might be. The definitions were pretty basic: (1) a person or thing that thrills; and (2) an exciting, suspenseful play or story, esp. a mystery story.

So now I'm left with the conclusion that apparently my book didn't thrill the reviewer, and/or apparently was not exciting or suspenseful.

More recently, I saw on Lesa Holstine's website, a guest blog by author Gerrie Ferris Finger, rebutting a comment Lesa had previously made about something unrelated to my problem. Ms. Finger mentioned that while her novel The End Game was a mystery, it was not a thriller, but had thriller aspects. Although I shamefully admit I have not yet read her book, which won St. Martin's /Malice Domestic Best First Traditional Mystery Novel Competition, her description of it certainly sounded like a thriller to me.

But it did start me on a new train of thought. Aha, I'm thinking now. Perhaps my novel was also not a thriller, but had thriller aspects. I can picture that. But what, then, is necessary for a book to be categorized as a thriller, and who decides these classifications anyway?

I have perused websites discussing the differences, and am not convinced, as some suggest, that a mystery involving something that has already happened can not also be a suspense thriller, where the reader is in fact on the edge of his or her seat waiting for the killer to be stopped. Or waiting to see who the killer is going to kill next.

I don't like the analogy often provided that trying to figure out who put the bomb on the bus is a mystery, but watching while someone puts the bomb on the bus and waiting to see if the bus is going to blow up before the hero gets there is a thriller. Wouldn't it be a mystery/thriller if you combined the two?

Ultimately I guess it doesn't matter whether a book is a thriller, a cozy, hardboiled, or even, (gasp) un-label-able, as long as the people who read it like it. My only problem is trying to describe a book accurately enough to make sure the audience who will probably enjoy it will know it's something they will probably enjoy.

So what is a thriller?

BLOG JOG DAY BOOK WINNER

Barbara from the creative barbwire blog was the winner of my book, Gumbo Justice, in a random drawing. I entered the names of everyone who left a comment and/or an email.

Thank everyone for visiting my blog and making Blog Jog Day such a success. I found several new blogs of interest myself-- and not just writing or promotion blogs, a few new writers, and even ordered a book. All in all, I think I got out of it as much as if not more than what I put in.

Congrats to Barbara!


Holli Castillo
www.gumbojustice.net

BLOGJOG DAY

Thank you for stopping by my Blog. Please explore all this Blog has to offer and then jog over to http://upuzzleme.blogspot.com , a great site for all kinds of puzzles. If you would like to visit a different Blog in the jog, go to http://blogjogday.blogspot.com.


Anyone who leaves a comment today on this blog will be entered in a drawing to win a signed copy of Gumbo Justice. Leave your email address with your comment if you would like to be entered, or email me at hollicastillo@cox.net to be entered.

Promotion Styles

Among most writers, especially with the smaller and independent publishing houses, the hot topic always seems to be promotion. And as many different ways as there are to promote a book, there are just as many promotion styles.

I've seen writers who join social networking sites and make everything they do about their current work. Someone posts congratulations to a mutual friend about their new grandchild, these aggressive promoters will post back, "Congrats! Oh, I just had a baby of my own, my new novel, blah blah blah. You can buy it from my website or at Amazon."

Now I'm not against blatant self-promotion. Often, you need to promote yourself or you won't sell books. I guess my objection is to that handful of individuals who feel that EVERYTHING is about their novel. Maybe to them it is, but to the rest of the world, not so much.

It would help if those types of promoters would occasionally post about something different. For instance, if they posted a status update on Facebook about something else interesting they were doing, maybe I would also become interested enough in them to think about checking out their book. If every post they do, however, just talks about the latest novel, it's not going to entice me to buy it.

The second type of promoters are my favorite. They'll post when they're working on a chapter, or even ask for an opinion on something. They'll post when their book first comes out, when there's a promotion, sale, contest, signing, etc., in other words, when there is a reason for posting, but the rest of the time they post about parts of their lives that are interesting and that fans might actually want to read about. For example, when they've gotten a new pet. Or visited some place exotic. Or even planted a garden. Posts that tell us something about the writer are a lot more likely to make me want to buy their book than posts that constantly tell me about their book.

The third type of book promoters are the overly humble and meek, the type who are afraid to mention they even have a book, listing it in their information section, posting about normal life things, but never posting when they do book signings, promotions, contests, or blogs. While this may make them feel better about using social networks to promote their work, it also doesn't do very much to promote. I completely understand not wanting to appear like a showoff or braggart, but there's little point in using social networks or even writer sites for promotion if you're too shy to promote.

Social networking sites such as Facebook, MySpace, Twitter, even Linked in, are good sites to post information about your works, and to give your potential audience a chance to know those things you want them to know about you, and maybe get a few more people interested in your work. It's a tedious process, and I'm guilty about not staying as on top of things as I should in this area, but in the end it can make a big difference to book sales.

That's not to say that on writer's/reader sites it isn't acceptable to post mostly about what you're working on, because the people who visit these sites tend to do so looking for information about books to read, or looking for others' perspectives on issues related to writing. I still think it's important to allow a small glimpse into your personal life if your goal is to get people interested in you as a writer.

In my opinion, a happy balance among the promotion types yields the best results. While the public doesn't need to know every time the writer uses the bathroom, the public may be interested in knowing the writer's favorite food, vacation spot, or television show, and revealing little tidbits of information may help increase sales, as long as the information is limited to those things that won't become a safety concern.